Photography News

I bought a Canon 7D because it had a bigger number than the 6D, more autofocus points, and a faster burst rate. I thought I was buying the better camera. 

What I did not understand was that the 6D's larger sensor would have given me cleaner high-ISO performance, shallower depth of field, and better dynamic range, all things that mattered far more for the portraits and low-light work I actually wanted to shoot. The 7D was excellent. But I bought it for the wrong reasons. If I could go back and sit down with myself the week before that purchase, here is what I would say.

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We finally reached a weird point in photography where sharpness isn't even a goal anymore; it's given. Modern lenses are so good that "tack sharp" is basically a factory setting. And yet, scroll any comment section, and you would think sharpness is a whole sport. Not light. Not timing. Not mood. Just crazy sharp. 

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Lightroom has more depth than most people ever tap into, and after 15 years of using it, Serge Ramelli has a clear sense of which techniques actually move the needle. These aren't beginner tips about sliders; several of them involve AI-powered masking tricks and a dodge-and-burn workflow that can fundamentally change the way a finished image looks. 

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Choosing between black and white and color is one of the oldest arguments in photography, and most takes on it stay shallow. This video doesn't claim to settle the debate, but it does offer a genuinely useful framework for thinking about when and why each choice works. 

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The Fujifilm GFX 100RF launched to a divided audience. Some people couldn't get past the f/4 lens. Others saw a 102-megapixel medium format camera in a compact body and immediately understood what Fujifilm was going for. 

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Buying the wrong camera gear early on is one of the fastest ways to waste money in photography. Five specific categories trip up beginners more than almost anything else, and most of them are things you'd never think to question. 

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At now 6 years old, is this compact retro camera still usable for photographers in today's day and age? We are of course talking about the original Fujifilm X-T30, which has become in fact my new favorite travel camera. 

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The right light is an interesting concept. I am a firm believer that there is no such thing as bad weather – only different types of lighting. I get annoyed at the number of articles that say you can only take creative landscape photographs in the hour after sunrise and the hour before sunset. To me, that leaves a whole chunk of the day with a camera sitting unused in a bag!

 

It's Wet Out!

Certainly, though, certain subjects work better in particular lighting conditions and when the rain is hammering on my office window I'm fairly happy to be sitting in front of the computer rather than trying to capture landscape photographs! That said, I have been at the side of Buttermere in torrential rain and high winds and still managed to work with the conditions.

Mist and fog also create ideal light for pastel, almost painterly pictures, easily isolating foreground elements from the background; and while these conditions are certainly more prevalent early morning, they can happen at other times. Heavy snowfalls can also create monotoned, isolated elements, even resulting in pen-and-ink style pictures that are perfect for black and white.

 

 

The Sun's Out

When the sun does shine through, make the most of the textures, shadows and lighting angles; and even that doesn't always mean early or late in the day, I have a number of Lake District locations where the sun offers excellent graze lighting, really bringing out the textures of barn walls or dry-stone walls even in the middle of the day.

The best way to know where the sun works best in any location is to know the location well, and photograph it regularly; ideally even knowing which month offers the best elevation as well as the angle of the sun. If you're new to a location check on a map – remembering that the sun rises in the east and sets in the west. Even Google maps can provide some help if there is a road anywhere near your chosen location. Computer-based maps can give a good idea of the terrain and are sometimes easier to realise the contours than a traditional map.

Certainly early and late in the day offers low lighting angles which can naturally create longer shadows, but to truly reap the benefits, you need to either have side-lighting or even be shooting into the sun.

By all means, plan some of your shots before you go out, but always be ready to adapt to the conditions - don't come back without any photos because the light wasn't exactly what you had planned, but adapt to the lighting that's there. Only by doing that will you train your eyes to see opportunities that otherwise would be so easy to miss.

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

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The latest winner of our popular daily photography theme which takes place in our forums have been chosen and congratulations go to James124 (Day 16- Bridges).

 

Daily Theme Runners-Up

If you didn't win this time, keep uploading your images to the daily competition forum for another chance to win! If you're new to the Daily Theme, you can find out more about it in the Daily Theme Q&A. 

Well done to our latest runners-up, too, whose images you can take a look at below.

  Day 9

Stone Circles

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Day 10

Woodland

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Day 11

Creative Flare

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Day 12

Full-Length Portraits

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  Day 13

Stained Glass Windows

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Day 14

Garden Landscapes

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Day 15

Flowers

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You’ll find the Daily Themes, along with other great photo competitions, over in our Forum. Take a look to see the latest daily photo contests. Open to all levels of photographer, you’re sure to find a photography competition to enter. Why not share details of competitions with our community? Join the camaraderie and upload an image to our Gallery.

The consultation is supposed to be the easy part. The client reaches out, you meet (in person, by phone, or over video), you discuss what they want, you explain what you offer, and you both walk away aligned on the vision, the scope, and the price. That is the theory. In practice, the consultation is where every mismatched expectation, unrealistic budget, and conflicting creative vision reveals itself, and your ability to navigate those reveals determines whether the conversation ends with a booking or a polite "I'll think about it" that means no. 

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When it comes to branding, there are a number of elements that need to be considered. It needs to speak about your business while also evoking something in the viewer. It doesn't necessarily need to clearly explain what you do. 

Take Apple, for example. It's an apple, yet they don't sell apples. McDonald's is represented by the golden arches, but they sell burgers and fries. MKBHD is a tech reviewer, but the brand itself says nothing about tech.

So what is it that actually works when it comes to a brand? It's something I've been asking myself for a while.

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Most editing tools promise to speed up your workflow. Very few actually change how you work. After testing the Ulanzi D200X and Dial in real-world use, I wanted to see if either could genuinely reduce time at the desk or if they just add another layer to the process. 

As a photographer and videographer, I spend more time at my desk than I would like to admit. A large part of running a photography business happens away from the camera. Editing, file management, emails, and planning all take time, so having a setup that supports workflow, efficiency, and comfort matters.

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There's a stretch of Highway 69 outside Muskogee that I've driven enough times to stop noticing it. You know the kind of road I mean — your brain goes into cruise control, the scenery becomes background noise, and you're just trying to get where you're going without getting stuck behind a log truck doing 42 in a 65. 

And then one day, something snaps you out of it.

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Practical effects from the '80s and '90s were built on real constraints, and those constraints forced some of the most inventive filmmaking ever put on screen. The results hold up decades later precisely because the crews had no easy way out. 

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Choosing between the Canon EOS R6 Mark III and the Sony a7 V at the same price point is genuinely difficult, and the spec sheets don't tell the whole story. Both cameras launched within a month of each other in late 2025, making a direct comparison not just useful but necessary before you hand over that kind of money. 

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Compact cameras have exploded in popularity over the past few years, and the Fujifilm X100VI sits at the center of that conversation. It's one of the most talked-about point-and-shoots on the market right now, and the hype has pushed used prices close to retail. 

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The full frame vs. APS-C debate has been running for years, and most people land in the same place: full frame is better, APS-C is smaller, end of story. But that conclusion skips over some real nuance that changes how you should think about both systems. 

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I just wrapped up a fashion campaign shoot at Sarakiniko Beach in Milos, Greece. Here is how it went, what I learned from the experience, and how we approached getting the shots. 

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The world's most renowned and respected camera brand, Leica, has announced a new flagship store in Chicago, Illinois, opening on April 30, 2026. Located in Chicago's Gold Coast, one of the city's most culturally rich architectural districts, the new store draws on the city's creative spirit, offering photographers a dynamic space with rotating gallery exhibitions, workshops through the Leica Akademie, connections with fellow photographers, and Leica's latest innovations in technology. The Michigan Ave.

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    Next time you're at a popular tourist spot, don't get annoyed by people in your landscape shot as when captured the right way, they can actually add interest, create a story and, more importantly, add a sense of scale to an image that will make the person viewing it go 'o, wow!'    1. Landscape With People Vs A Portrait Outdoors Bring a person or a group of people into your landscape shots and they suddenly get a different feel/look about them. But you have to be careful that it doesn't turn into an outdoor portrait where the person is the main focus of the image rather than part of the overall scene.   As you're not shooting an outdoor portrait you don't want to pose your subjects or better still, let them know you're taking their photograph at all. Make sure they're not bothered by you or your camera and are focused on whatever they're doing before you take your shot. For more tips on shooting candidly take a look at our article: Candid photography.

 

 

2. Create A Connection 

An empty shot of a forest or a mountainous landscape may be inspiring and pleasant to look at but if you add people to the shot the viewer can become more connected with the image as the person/people can help create more of a story. A sunset shot with a couple sat to one side of it will feel romantic while a rock climber scaling a cliff wall that's sat in your wide, landscape shot will create a totally different feeling.

 

 

3. Add Scale 

People can also help create a sense of scale within an image, for example, a backdrop of mountains suddenly turn into dominating structures that tower above two walkers or a lake stretches out for miles past a single man out fishing for the day.

 

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition